Sahasranama position 762 of the 1,072 names

Purasundari

पुरसुंदरी

Purasuṃdarī

What Purasundari means

Purasundari is name 762 in the Adya Mahakali Sahasranama, the 1,072-name devotional text to Maa Kali. The most beautiful one in all three worlds.

Also spelled

  • Purasumdari
  • Source transliteration: PURA-SUNDARI

Sanskrit names travel into English in several romanizations. This page keeps the common spelling, the IAST form, and the source transliteration together so the same name is discoverable under each spelling readers use.

Meaning and elaboration

Meaning: The most beautiful one in all three worlds.

Elaboration

The name Pura-Sundari can be understood as "She who is beautiful in all cities or worlds." This epithet points to a beauty that is unmatched and all-pervading, not merely outward in form, but present as the grace and harmony woven through existence itself.

Transcendent Beauty Pura-Sundari represents the highest principle of beauty in the cosmos. Her beauty is not limited to physical attractiveness. It is a metaphysical perfection that reflects balance, proportion, and the inner delight, Ananda, of creation. She is the essence of cosmic joy and the source from which every form of beauty in the material and spiritual realms arises.

Mistress of Three Worlds (Trailokya) "Pura" can refer to dwellings, cities, or, in a deeper sense, the three worlds, Trailokya: the celestial, terrestrial, and nether realms. In this way, Pura-Sundari is the most captivating presence across every plane of existence. Her beauty pervades the whole universe, filling it with grace, charm, and a sense of divine order.

Kameshwari and Lalita Tripura Sundari Connection While this name highlights beauty above all, it is often linked with Lalita Tripura Sundari, one of the Dasa Mahavidyas and the embodiment of beauty, desire, and sovereignty. As Kameshwari, she is the Goddess who both holds and fulfills desire, especially the deepest desire for liberation and union with the Divine. Her beauty draws the seeker inward, gradually transforming worldly longing into spiritual aspiration. Her iconography often shows her seated on a lotus, a sign of purity and enlightenment, which further deepens her association with supreme beauty and spiritual perfection.

Text and sources

The name list follows the Adya Mahakali Sahasranama as compiled for this project. The English meaning and elaboration are interpretive notes for devotional study, not a translation of a single critical edition.

Read the editorial method and source notes →

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